what system resources are needed to run pianoteq 6 stage

Virtual pianos based on sampling technology are usually restricted to at most 16 samples per note which all need to be processed (cross-fading, filtering, etc). The musical characteristic that optical compression circuits possess, has made them a favorite of professional engineers for decades. Pianoteq uses all the 127 velocities that the MIDI specification allows, giving you a maximum playability with a superb dynamic sensitivity. With opto compressors, everything is moving constantly, and in an ear-pleasing way! For example, an opto compressor will react differently to a longer loud part of a song than to a short loud hit in a quiet part, as the photo cells will build up heat over time, which slows down the attack and release times significantly. Opto Compressors respond differently to different input signals, which is often referred to as being “program dependent”. The bx_opto compressor combines some of the best colors, character and features from some of the world’s best-loved compressors, like the Shadow Hills Mastering Compressor, the elysia alpha compressor, or the Millennia TCL-2.īx_opto takes the best aspects and anomalies from legendary light-dependent Circuits to create a software compressor you wish you could buy in hardware! This gives you control over release times that shape transients in such a manner no hardware optical compressor can match. Need : It is a 2-d array of size ‘nm’ that indicates the remaining resource need of each process. Allocation i, j k means process P i is currently allocated ‘k’ instances of resource type R j. bx_opto not only delivers that musical quality, but opens up new sonic possibilities with its variable speed knob, simulating changes in speed at which the photo cell in an optical compressor reacts to light. It is a 2-d array of size ‘nm’ that defines the number of resources of each type currently allocated to each process. It’s an effect that’s nothing like placing a conventional dynamics plug-in in the signal chain, or using a stomp-box compressor, and few other amp simulators I’ve tried get it as right as this.īrainworx takes the opto-concept to the next level with this plugin. Although the influence of the Amp Drive and Sag controls on the tone of the amplifiers is often relatively subtle, they make a real difference to the way in which your hands feel ‘connected’ to the notes that emerge from your speakers. … Perhaps the most impressive thing about it is the attention paid to dynamic response and the ‘feel factor’. … if you like warm, clean sounds that subtly shade into overdrive as you dig in harder with your right hand, or if you want snappy note attacks combined with singing, blooming sustain, or heavily distorted power chords that never lose definition or get flabby at the bottom end, it’s likely to perk up your ears. The most important question you can ask of almost any effect or processor is ‘How does it sound?’, and the best description I can think of is to say that S-Gear sounds expensive - in a good way.

What system resources are needed to run pianoteq 6 stage